Sopranos Fuss Highlights TV's Power

I don't watch the Sopranos. There's no good reason, really. When the series started, I had Showtime rather than HBO. And I was in graduate school, so there was not much spare time for television.

Having several obsessive-compulsive quirks, I usually get on a bandwagon early or I don't get on at all.

Sure, I've seen a few episodes. I understand why the show is both highly rated and critically acclaimed. I just haven't had the time.

Nonetheless, I have followed the saga of the show's ending closely and with great interest.

I have a high need for closure. As someone who did not watch the show, I think the open-ended ending was brilliant. If I had been a viewer, I probably would be angry.

But the debate (more than 80,000 people logged in to vote on an ESPN Radio poll) captures why I study television: stories fascinate me.

As I have indicated before, I never set out to study narrative. If I had continued my early methodology of showing television in 30-second clips, I might never have gotten it.

But I started showing entire episodes. For my dissertation (and subsequent work), participants watched an entire episode of ER. And I watched them watching.

The story draws you in. When participants find out that they will be watching ER, some are happy and some are annoyed. One young lady did a little dance.

Once the story starts, however, they get reeled in. We like stories. Homer figured this out several hundred years ago. And it fascinates me today that we're still so hooked on these stories.
Indeed, many old women call soap operas their "stories."

And since we were children, we were taught that stories have endings. We seem to get mad when that's violated, even though it's not so life-like.

There's no definitive answer about the Sopranos. The ESPN Radio vote was 50.8% in favor of the ending and 49.2% against. You cannot get much more split than that.

In the end, creator David Chase wrote the series ending that lets the story live on.

This seems more appropriate in a drama than a situation comedy, where we beg for closure. Just a few days ago, I asked my wife, "Did Ross and Rachel end up getting back together in the Friends finale?"

I Want to Write TVs Shows When I Grow Up

Last night, I was sitting here watching a TiVo'd episode of Desperate Housewives.

The episode was really telling four different stories in parallel:

1. Susan tried to pick between Ian and Mike

2. Edie attempted to keep Carlos via her kid

3. Lynette flirted with the chef, Rick

4. Gabrielle abused her new found mayoral power

Watching the show, I was impressed with the way the stories were advanced together and intersected and key moments. It was really cool, I thought.

You see, I study story-telling and the role of emotion. And as a former journalist, I once was a story teller. But I'm not now.

And the more I think about it, the more I am curious about the process that goes into writing a television drama. I hope, someday, to sit around one of those tables for a few weeks. I'd like to see what goes on. I'd like to see how they decide to weave plot lines together.

After measuring the effects of their handiwork for several years, I'd like to see what goes into the handiwork.